"Until Rameau's Nephew... no one has exhibited a film that deals so thoroughly with the range of perceptual problems elicited by the sound cinema." (M. Keller, Chicago Film Centre) "...an achievement of the originality and brilliance of Wavelength. Snow embraces the problems on intimacy of language and thought with such variety, clarity and invention and high humour that again ...$会玩$雄作，年代十佳。电影的数个切片一致地以声音采集的外在形式来贯彻对声音的实验——错位、扭曲、纠正，但其屏幕内演员的表演、屏幕本身的运动与镜头变换，使得观看又毅然决然地背离概念的执行，声音与画面在这里既对立又统一，既分离又融合。一部分仍像是沃霍尔的电影，是斯诺对《寂寞牛仔》《黑胶》《雀西女郎》的重拍；一部分是斯诺对《中部地区》《波长》的延展，甚至是对《胼胝体》的预示。如果有什么不满，那便是过度的全面。$tmd斯诺观感比帝国大厦还长$补snow$聲音的探討
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